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Browse through upcoming arts and theater events in Asheville, NC, including Broadway shows, musicals, plays, operas, and more.
Our first show in our new location, 101 Cherry Street, will emphasize how we have adapted to “Making Changes”. Growth occurs when we make changes. When something is deconstructed and recreated with new energy and life, it’s an opportunity to evolve and transform. In this process, some aspects are left behind while new concepts take their place. Growth is universal and can be planned or spontaneous, inclusive or exclusive, material, spiritual, or social. Take this challenge to break from old constructs and explore the previously unknown – the unawakened. “If we don’t change, we don’t grow. If we don’t grow, we aren’t really living.” — Gail Sheehy. All mediums are welcome.
Check Out Our New Arts Discounts Page
We have exciting news! The ArtsAVL website has a new feature: a discounts page!
At any time, you can head on over to artsavl.org/discounts to see special discount offers our members are offering.
View Offerings
The Village Potters Clay Center is pleased to announce our first Featured Artist Exhibit for 2024 will be for Caroline Renée Woolard. The exhibit opened March 20 and runs through the end of May in the Feature Gallery at The Village Potters Clay Center.
Caroline Renée Woolard creates functional pottery with the intention of nurturing those who use it in their daily rituals, uplifting their spirits and homes as it invites them to find gratitude in the present moment. Her work explores movement through various textures on the surface with slip and carving, while finding stability and structure within the form. Each surface design is a unique expression of the energy of the moment that she creates it, and as she works with clay, she finds it to be a grounding process that reminds her of the importance of being centered and present.
The exhibit will include some of Caroline’s most popular forms like her mushroom mugs and vessels, her curvaceous lady forms, and her slipped vessels adorned with horsehair. She will also be creating new, larger pieces as she continues to explore the new directions her forms and textures are leading her, and we are all very excited to be along on her journey!
Caroline will also be taking part in the annual Multi-Kiln Opening Celebration at The Village Potters Clay Center on Saturday, May 4, where she will be demonstrating some of her surface design techniques and available throughout the day for questions and discussion about her work.
The park is full of spring blooms and signs of the season to come. Break out your cameras and share your best snapshots of whatever spring views you come across and you could win prizes! See contest details below.
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
CONTEST RULES:
Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].
Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m.
Call Summary:
To Apply:
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.
This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.
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| Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum. |
11am – 5pm Tuesday through Saturday
Born in Cleveland, Ohio, Joseph Fiore (1925-2008) first enrolled at Black Mountain College for the Summer Session of 1946, the summer that Josef Albers invited Jacob Lawrence to teach painting at BMC. Over the next three years, Fiore also studied with Ilya Bolotowsky, Willem de Kooning, and Jean Varda. In 1949, after Josef and Anni Albers’ departure, Joe was invited to join the faculty, and he taught painting and drawing until 1956 when the college leaders decided to close.
After BMC closed, Joe and his wife Mary, whom he met and married at BMC, moved to New York City. There he became involved with the 10th Street art scene of the late 1950s and 1960s, a group of galleries that exhibited the work of young artists on the rise. Eventually he resumed his teaching career at the Philadelphia College of Art, Maryland Institute College of Art, and the National Academy.
In May of 2001, Joseph Fiore was awarded the Andrew Carnegie Prize at the National Academy of Design in New York. The Carnegie Prize is awarded “for painting” at the National Academy’s Members’ Show.
This exhibition consists of paintings in our collection donated by the artist and by The Falcon Foundation. All of the paintings were made at Black Mountain College and show Fiore’s distinctive use of color and his ability to work comfortably in the spaces between abstraction and representation.
Curated by Alice Sebrell, Director of Preservation
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
Teacher: Mike Yow
Class cost: $150
Min students: 6
Max students: 15
Class Dates: Mondays, April 8 – May 13 (6 weeks)
Time: 4:30 pm – 6:00 pm
Ages: 11-17 (Middle and High School students)
Location: Hendersonville Theatre Auditorium
Restrictions/Special Needs: Just comfortable clothing and footwear for light to moderate movement.
Prerequisites: Just a willingness to learn the essentials of being a skilled and entertaining thespian.
Refund Policy: The last day to receive a full refund* is March 4, 2024. After this date, no refund will be issued.
*Refunds are for tuition only and are at the discretion of the Class Teacher and Education Director. All taxes and fees are final and cannot be refunded.
Class Description:
In this class, students will learn the basics of stage (and film) acting, starting from simple stage directions and vocal projection to monologue, cold readings, improv techniques, and more.
For more information and to register, visit www.hendersonvilletheatre.org
Join Bountiful Cities at Momentum Gallery to celebrate!
On Thursday, May 2, from 5-9 p.m., Mosaic Realty comes together with 14 downtown Asheville galleries for the second annual Mosaic Art Walk & Benefit. New this year: Mosaic and United Way of Asheville and Buncombe County have teamed up to raffle a Volkswagen ID.4 to benefit 15 local nonprofits!
Purchase tickets for the Car Raffle Here!
This free community fundraiser, open to the public, will be hosted by Mosaic Realty, with each gallery highlighting a different local nonprofit. Take in the eclectic pieces from local, regional and international artists while learning about the fantastic work being done by each nonprofit. There will be light fare and beverages as well as the opportunity to purchase raffle tickets to win exciting prizes at each gallery, with all raffle basket proceeds going to the highlighted organization. Additionally, each gallery will contribute a percentage of the evening’s sales to its featured nonprofit. All galleries will be open for viewing from 5-8 p.m., with the Asheville Art Museum open until 9 p.m., where the car raffle winner (more below) will be announced!
Citron Gallery presents an art exhibition that harmoniously weaves together the distinctive styles of two artists, each navigating the delicate balance between spontaneity and control in their unique mediums. In this captivating showcase, the ethereal paintings of fabric and mixed media artist, Lauren Betty, and the textured wonders of oil, cold wax, and mixed media by Rand Kramer converge to create an immersive experience.
Lauren transforms delicate fabrics into ethereal paintings that seem to defy gravity. Using spontaneous gestures, she allows the fabric to take on a life of its own, capturing the fluidity of emotions in each piece. The work emerges as she delicately arranges and manipulates the fabric, creating an otherworldly tapestry that invites viewers to explore the boundaries between reality and the sublime.
Rand’s controlled technique involves layering and scraping, building up a rich textures that exude both depth and mystery. This deliberate process reflects an artful balance between spontaneity and control, inviting viewers to witness the evolution of his creations.
This will also be Mosaic Realty’s 2nd annual Art Walk & Benefit night! We are one of the 14 participating galleries on the Art Walk. This free community fundraiser, open to the public, will be hosted by Mosaic Realty, and each gallery highlights a different local nonprofit. Our gallery will be supporting the work of Blue Ridge Orchestra. There will be the opportunity to purchase raffle tickets to win exciting prizes, with all raffle basket proceeds going to the highlighted organization.
Make a new craft each month using your Cricut!
$20 per session, pay instructor at each class
For more information, call 828-350-2058 or email [email protected]
Cricut Kickstart Workshop
Session A: January 10, advance registration at AVLREC.com required by January 3
Session B: April 10, advance registration at AVLREC.com required by April 3
Get your feet wet in the world of all things Cricut as we chat about different machines and their best uses, and tackle the basics of the software, with lots of time for questions. You’ll create your own vinyl design to transfer on to a provided coffee mug.
Valentine’s Day Cards
February 7, advance registration at AVLREC.com required by January 31
Learn how to use your Cricut to make personalized cards. Even if you’re new, you’ll leave with an awesome card in hand.
Easter Banners
March 6, advance registration at AVLREC.com required by February 28
Dive into crafting a cute seasonal banner using the trusty Cricut, twine, and good ol’ clothing pins. We’ll cut out sweet egg shapes and string them up with twine, giving you the perfect excuse to showcase your handmade charm.
Crafting in Progress Sign
May 8, advance registration at AVLREC.com required by May 1
Craft a personalized sign proudly declaring that you’re “Crafting in Progress!” A cute loading bar adds a touch of whimsy as a fun nod to the crafting journey.
Held on First Thursdays, join this all-arts open mic presented by Story Parlor and Speakeasy Improv. Prepare a five minute original piece in whatever medium you so choose — storytelling, music, poetry, literature, comedy, dance — or simply come to enjoy and support the local arts community.
Printmaker Janette Hopper will be giving a digital presentation on her art of linocut printmaking this Thursday, May 2, 6:30-7pm. She will also demonstrate some of the tools and materials she uses in her process, and be available for Q&A. Afterwards, stay for the gallery’s True Home Open Mic, where performers of all skills and genres (poetry, storytelling, music, song, comedy, etc.) share their art. Janette herself will be getting up on stage again to share some of her poetry! Or stay to browse more of her print artwork: her current exhibit at Flood Gallery, “Agony and Ecstasy: Images of Conscience” which is comprised of more than 60 pieces, all for sale, and will show through June 2.
Elderly siblings Marilla and Matthew Cuthbert asked the orphanage for a boy. What they got was Anne Shirley––a plucky redhead with a huge imagination and an even bigger temper. Soon, Anne burrows her way into the hearts of the Cuthberts, and the residents of Avonlea, as she grows from a hysterical twelve-year-old to a whip-smart young woman who burns with ambition. Adapted from the 1908 book by Lucy Montgomery, this classic faithfully follows Anne’s journey through all of her iconic moments.
CAPTIVATING | HISTORICAL | BIODRAMA
From his landmark victory in Brown v. Board of Education to becoming the first African American to serve on the Supreme Court—Thurgood Marshall devoted his life to the pursuit of a more just world. This captivating one-man play explores his work and life with riveting and inspiring storytelling.
“All bio dramas should be as vivid and entertaining as THURGOOD. A story rich in history, humanity and humor.”
–New York Daily News
Content advisory: strong language, use of racial slurs, and descriptions of violence
This dance is fragrance-free (no perfume, cologne, strong deodorant, etc.), out of respect for those with sensitivities.
If this is your first time dancing with us, your second dance is free!
“Conversations With Trees” by Sara Bell at Asheville Gallery of Art
Experience tranquility with Sara Bell’s exhibit, inspired by nature and Brene Brown. May 1-31, opening May 3, 5-7:30pm. Meet the Artist events: May 2, May 18. Visit 82 Patton Avenue, Asheville. Ashevillegalleryofart.com, 828-251-5796.
We have exciting news! The ArtsAVL website has a new feature: a discounts page!
At any time, you can head on over to artsavl.org/discounts to see special discount offers our members are offering.
View Offerings
| Imaginative kids can create, explore, and play in Summer Camps at the Wortham Center! With high-energy, low-pressure programs for rising 1st-5th grade campers, week-long camps expand minds, build life skills, and create meaningful friendships through the arts. Register now online or by calling the Box Office at 828-257-4530. Space is limited. A limited number of full and partial need-based scholarships are available upon application through Arts for All Kids. Families who qualify for free or reduced lunch are welcome to apply. Questions? Email Director of Education Anna Kimmell at [email protected]. |
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Little kids with BIG imaginations can dance, sing, act, create, and collaborate in this high-energy, low-pressure arts camp! With engaging activities rooted in creative play, kids will have so much fun expressing themselves through the arts, they won’t even notice they’re also building confidence, improving physical and emotional awareness, honing listening and focus skills, and learning to work within a group. At the end of the week, campers will celebrate what they’ve learned in an informal sharing for friends and family.
$185 in February ($205 after March 1)
In this week-long, half-day summer arts camp, students will have fun exploring the fundamentals of acting, music, and movement. Through engaging activities rooted in creative play, kids will make friends, explore the performing arts, discover new tools for expression, and share what they’ve learned in a short performance presented at the end of the week for friends and family.
$185 in February ($205 after March 1)
Kids will have fun exercising their imaginations in this week-long camp exploring the creative arts! With daily activities in acting, dance, music, design, technical theatre, and more, this high-energy, low-pressure camp builds life skills, confidence, and friendships through the arts. Kids will leave feeling empowered to take creative risks on stage and off.
$290 in February ($310 after March 1)
Kids can connect with other creative thinkers as they write, develop, and perform in their own original show! With an emphasis on self-expression, collaboration, and the creative process, kids will have fun exploring daily activities in acting, movement, creative writing, and improvisation in a low-pressure, supportive environment. At the end of the week, young artists will share their newfound skills in an informal performance for family and friends. No prior performing arts experience is necessary, only an open mind.
$290 in February ($310 after March 1)
Here’s your chance! Asheville Community Theatre is thrilled to offer you the opportunity to win a magical 4-day Disney Cruise for four. By purchasing a raffle ticket, not only do you get a shot at an unforgettable family vacation, but you also support the arts in our community.
Prize Details:
Don’t miss out on this chance to create lasting memories with your loved ones. Get your tickets now!
Click here to view the complete set of rules.
At the Asheville Art Museum, we strive to transform lives through art. We do this by not only inviting people to experience the great works in our galleries, but also by creating opportunities to engage with the rich tapestry of artistic expression unfolding within our city today.
Our dynamic events provide an opportunity for community members and diverse artists to come together, fostering connection and inspiration for all participants. Here’s an example of this work in action: we recently held a Community Day inspired by our latest exhibition The New Salon: A Contemporary View, which celebrates Pop-Surrealist, Graffiti, and Street Art, the event centered around creative activities with a similarly rebellious spirit.
Community members were invited to express the most fantastical corners of their imagination with chalk, visit our Makerspace to design press-on nails with help from Asheville nail artist Rachel Ghazarian, get a glimpse of their future with a tarot reading from Krysta Beth Heidman, or enjoy the perfect soundtrack provided by local DJ Lil Meow Meow. The event concluded with spotlight talks and tours of the exhibition, which includes works from local artists Ian Wilkinson, Maxx Feist, Ishmael Leaver, Danny Reed, and Brian Mashburn, giving visitors the opportunity to engage directly with the works that inspired the day’s activities.
Your generous support is instrumental to initiatives like these, which foster vibrant connections between our community and the talented creatives who make Asheville’s art scene thrive. By contributing to our Spring Annual Fund, you play a crucial role in nurturing artistic excellence and enriching our community through the power of the arts.
Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m.
Call Summary:
To Apply:
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
